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Artist Portfolios > C > Natalija Cimbaljuk


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Still life with corn cob, Oil on Canvas, Painting
Still life with corn cob, 2007
Oil on Canvas
39.5" x 39.5"
USD 3400


Dance of Bridges, Oil on Canvas, Painting
Dance of Bridges, 2008
Oil on Canvas
22" x 38.5"
USD 3000


Three-kupola Church in Lawra (Kiev), Oil on Canvas, Painting
Three-kupola Church in Lawra (Kiev), 1996
Oil on Canvas
20" x 16"
USD 2400


Autumn in Lawra (Kiev), Oil on Canvas, Painting
Autumn in Lawra (Kiev), 1997
Oil on Canvas
21.9" x 21.9"
USD 2400


Landscape of Colour, Oil on Canvas, Painting
Landscape of Colour, 2004
Oil on Canvas
16" x 20.5"
USD 2400


Clarinet Player, Oil on Canvas, Painting
Clarinet Player, 2007
Oil on Canvas
39.5" x 39.5"
USD 3400


Morning's Atmosphere, Oil on Canvas, Painting
Morning's Atmosphere, 2004
Oil on Canvas
9.5" x 12"
USD 2000


Dreamland II, Oil on Canvas, Painting
Dreamland II, 2007
Oil on Canvas
51" x 51"
USD 4000


Press Release

With a flourish of the paintbrush, Natalija Cimbaljuk creates illustrious paintings.  Although each painting varies widely in its subject matter, they all exude poetry.  Celebrating nature, creativity and faith, Cimbaljuk’s paintings breathe beauty into everyday scenes. Currently working in Kassel, Germany, the Ukrainian-born artist tries to blend both cultures into her artwork.  Her methods stem from the east European traditions of nude painting and the form and symbolism of Ukrainian icon painting.  Therefore her paintings, whether figurative or abstract, have a traditional quality.

 

Color is an important facet of Cimbaljuk’s work.  Many of her paintings have a soft, dreamy aura produced by dusty blues, grays, and purples.  However, jolts of yellow and red add exuberance to her work.  The colors promote a heightened sense of reality.  They capture the exquisite colors of the world around us that we so often fail to recognize in our hurried lives—like the exact brightness of the warm sun hitting a cliff, the complexity of the fog rolling in, and the short-but-sweet glow of morning.  


 

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